Cinelab, the Netherlands-based audiovisual cooperative, has announced its investment in 15 units of the Sony BURANO camera.
Described as a “landmark decision”, the move positions Cinelab as the first collective in Europe to adopt the BURANO on such a scale, “underlining its commitment to innovation, image quality, and creative flexibility”, the organisation revealed.
The Sony BURANO bridges the gap between Sony’s VENICE 2 and the FX9, offering a blend of cinematic performance and compact usability.
With an 8.6K full-frame sensor, internal X-OCN LT recording, built-in ND filters, and industry-leading autofocus, the BURANO is ideal for both narrative filmmaking and dynamic documentary shooting.
Version 2.0 firmware, recently released, added critical workflow and monitoring upgrades–further enhancing the BURANO’s appeal for professional crews. This will be on display at the upcoming IBC trade show in Amsterdam.
Speaking of the investment, Cinelab’s Rogier den Boer said: “This camera once again gives us that latitude and freedom we so need as creators.
“We cover a wide range of formats–from fast-paced reality shows to carefully lit documentaries–and BURANO’s flexibility lets us bring the right tool to every creative challenge.”
The BURANO’s in-body image stabilisation (IBIS), combined with Sony’s E-mount OSS and PL-mount compatibility, allows seamless switching between handheld and rig-based shooting.
This makes the BURANO especially well-suited for productions that demand agility without compromising image quality.
Cinelab also cited the camera’s ability to work with familiar accessories and fast turnaround times in post-production as major advantages.
The investment was made in collaboration with trusted Dutch equipment provider Vocas, whose customised accessories and rapid delivery helped ensure the BURANO fleet was production-ready within days.
Each Cinelab member received a configuration tailored to their workflow, streamlining the integration of the new system across the cooperative.
Cinelab has said that its deployment of the BURANO is already paying off. The camera has been used across multiple high-profile Dutch productions, where its low-light performance, cinematic colour science and compact form factor have proven “indispensable” on set.
“Our team was already a heavy user of FX9, so the BURANO felt like a natural next step,” Den Boer added.
“The BURANO is fast, precise, and elegant. It delivers in every way that matters: on set, in post, and on screen.”
