The British Society of Cinematographers has announced that its Board of Governors has elected Oliver Stapleton BSC as president, succeeding Christopher Ross BSC.
Stapleton becomes the 34th cinematographer to be elected president in the society’s 78-year history, joining previous DPs who have held the role including Guy Green BSC, Freddie Young BSC and the late Sue Gibson BSC.
Ross bows out after two consecutive terms, stating in his speech during Operators Night back in November: “This vibrant community is at its best when supporting each other. I’m proud that we’ve created a safe space to encourage and practice our craft.”
“I am pleased and honoured to have been elected the 34th president of the BSC,” Stapleton said on the BSC website.
“Since joining the board eight years ago I have served under Mike Eley BSC, who steered us through some difficult times during Covid, followed by four years with Chris Ross BSC.
“During this time, Mike and Chris inspired us all to create the BSC Education & Mentorship schemes and many other innovations that have revitalised the BSC.
“I will strive to continue to build on the great foundations of the BSC – an organisation now in its 78th year – with the help of vice presidents Laurie Rose BSC, Stephen Murphy BSC ISC and our amazing board members.
“I am looking forward to ensuring that the society remains an inspiring place that allows cinematographers, associates and patrons to meet, share ideas and celebrate our craft.”
Stapleton is known for his work on over 60 films, including the Oscar-winning The Cider House Rules (1999) and Restoration (1995), as well as classics such as The Grifters (1989) and My Beautiful Laundrette (1985).
He is also the co-head of cinematography alongside Stuart Harris BSC at the National Film and Television School.
“In the last four years we have seen the launch of BSC Education, BSC Mentorship, a revitalisation of our BSC Club Screenings and the growth of not only the society but continuing events such as BSC Expo and our Awards night,” he continued.
“As we head towards our 80th year, I am committed to upholding the high standards of cinematography our society stands for.
“Now, more than ever, it is vital that those of us with long experience engage with the next generation in ‘Preserving the Vision’ – three words that have carried a profound depth of meaning since the foundation of the society in 1949.
“I look forward to working alongside the board and our admin team, led by our new general manager Mary Egan.”
