Canon Europe has revealed the new EOS C50, a highly versatile, full-frame, RF-mount hybrid Cinema EOS camera for professional videographers and agile production crews.
As the smallest camera in the Cinema EOS range to date, the EOS C50 is designed for a wide variety of filming set-ups–from fast-paced shoots to large-scale productions.
Canon has said that its compact design, however, conceals “a wealth of professional capabilities”.
At the heart of the EOS C50’s unique design is a new 7K full-frame CMOS sensor which, together with an advanced DIGIC DV 7 processor, delivers outstanding image quality for both video and stills–including internal RAW video recording at up to 7K 60P, high frame rate recording at up to 4K 120P/2K 180P, and detailed 32MP high-resolution photos.
The EOS C50 is the first Cinema EOS camera to offer open gate recording, which uses the entire area of the sensor for maximum resolution and flexibility.
Capturing the full width and height of the sensor using the new Full Frame 3:2 sensor mode provides a larger image that utilises the full image circle of full-frame lenses.
Open gate recording offers filmmakers greater flexibility in post-production, enabling horizontal and vertical movie formats to be freely edited from the same footage, with ample room for reframing shots.
When paired with anamorphic lenses, the result is a taller image with a wide immersive cinematic look.
Alongside the reveal of the EOS C50, Canon has announced the expansion of its cinema lens range with the launch of its widest-ever Cine-Servo lens.
With its ultra-wide 11mm focal length and expansive 100-degree angle of view, the Canon CN5x11 IAS T R1/P1 is a flexible choice for confined studio set-ups and dynamic live events, where framing both the subject and setting is essential. Available in either RF or PL mount, the new lens features the latest e-Xs V Digital Drive Unit for superior control and functionality.
At approximately 3kg, the CN5x11 IAS T R1/P1 is the most lightweight lens in Canon’s Cine-Servo line-up–ideal for gimbals, cranes, robotics and wire cams. Camera operators shooting shoulder-mounted will also benefit from the reduced weight.
“With the CN5x11 IAS T R1/P1’s diverse capability and balanced build, this super-wide 8K Cine-Servo lens offers exceptional edge-to-edge sharpness and image quality, with mobility for broadcast professionals,” said Canon Europe’s product marketing specialist Mark Fensome.
“Thanks to the built-in 1.5x Extender, this lens is highly versatile–either extending the range when used on a Super 35mm camera or enabling compatibility with Full Frame cameras. It delivers a shallow depth of field that lends a more cinematic look to live production and newsgathering, as well as high-end documentaries and dramas.”
In addition to the Cine-Servo lens, Canon has unveiled the RF 85MM F1.4L VCM, a professional portrait lens that extends the Hybrid RF prime range, delivering greater reach and versatility for creative photography and filmmaking.
An 85mm focal length that gently compresses facial features makes the RF 85MM F1.4L VCM ideal for portraiture.
Its ultra-wide f/1.4 maximum aperture ensures striking separation of the subject and background, while UD and aspheric lens elements, combined with Super Spectra and ASC coatings, achieve impressive sharpness.
At approximately half the size and weight of the RF 85mm F1.2L USM, the RF 85MM F1.4L VCM is built for shooting on the move. Its L-series construction, featuring well-placed weather seals3 and an oil-repellent fluorine coating, provides reassurance in adverse conditions.
More information on each of these new products is available on the Canon Europe website.
